★ / ★★★★
Sam (Michael Angarano) was a twenty-three-year-old children’s book writer who decided to drag Marshall (Reece Thompson), his best friend, to the seaside so that they could spend some time together since they hadn’t seen each other in about a year. But Sam had ulterior motives: the real reason why he dragged Marshall along was to sneak into Zoe’s (Uma Thurman) wedding, his pen pal, and confess his love for her. When Sam met the husband-to-be, Whit (Lee Pace), a conceited documentary filmmaker, Whit invited Sam and his friend to stay and celebrate over the weekend. I appreciated “Ceremony,” written and directed by Max Winkler, for trying to be different but I’m afraid it was just unfunny and dull. Most of the characters were unlikable, which was fine, but they had to be interesting if we were asked to invest our precious time to dig beyond the surface. I didn’t understand why Sam and Marshall were friends. Sam was controlling, cruel, and acted like he was better than his friend just because he was published. Marshall was weak, unnecessarily fixated on the fact that he was pistol-whipped months prior, and so quirky that it was distracting. Perhaps the only time I thought they were remotely interesting and amusing was when they acknowledged the growing homoeroticism between them. But my main problem was I found no reason for the story to be told. The plot element that drove the story forward was Sam’s infatuation with an older woman. If Zoe had taken Sam aside and seriously talked to him about overstepping his boundaries, the picture would have been over at its thirty-minute mark. Eventually, we reached the key conversation but the scenes prior felt contrived. Sam and Marshall’s attempt to hook up with random women at the party was cliché and, in my opinion, the approach was disrespectful and mean-spirited. They thought that it would be easy to lure an older woman to bed because older women are desperate for attention especially from younger men. I’m sure the mindset is not at all atypical especially with words like “MILF” being tossed around with utter disregard in our culture, but it could have been more sensitive. Just because Sam and Marshall looked young, they didn’t have to behave like they had low IQs. Sometimes a bit of insight could go a long way. There was one scene I thought was honest. That is, when Zoe finally told Sam the reason why Whit invited the author and his friend to stay. It was the kind of honesty that was difficult to swallow but at the same time it was exactly what Sam needed so that, potentially, he would realize that unreciprocated love wasn’t the end of the world. “Ceremony” brashly tackled big emotions but the small details involving human behavior to make drama work were absent. With slight alterations in the screenplay, it would have worked as a comedy of manners.