★★★ / ★★★★
Angelina Jolie should at least be nominated for an Oscar because she held this film together. I couldn’t take my eyes off her to the point where I noticed every spasm on her face every time there’s a revelation or when she feels cornered by pretty much every authority figure she encounters. Clint Eastwood did another great job with taking his audience to a specific moment in time and make us believe that that universe is both beautiful and tragic. However, I don’t think this is his best film due to the problems in its pacing. Toward the last twenty minutes, there were scenes that could’ve been endings but ultimately weren’t. Even though the additional scenes added some sort of closure with the characters and its audiences, a masterful work would’ve felt natural instead of forced. Aside from Jolie, other great performances include John Malkovich as the reverend who fights against the corrupt ways of the LAPD and Jeffrey Donovan who refuses to listen to Jolie’s claims that the child who the LAPD returned to her was not her son. Amy Ryan also did a great job as Jolie’s friend in the psychiatric unit. Even though she did not have many scenes, she’s memorable because she did the best she could with everything she was given. As for the story, it’s very engaging especially when Jolie gathers evidence that the child who was returned to her was not her real son. I have to admit that I did get teary-eyed during various moments in the picture because I really did feel Jolie’s plight; it felt like the odds are against her but somehow she still summons the strength to fight back. I also admired the film’s theme of attempting to find the evasive truth–how the truth cannot be fully achieved because “truth” sometimes relies on the perspective of other people. The question of when the right time fight and the right time to let go is also explored in an insightful manner which could’ve been a disaster in less experienced hands. With a little bit more focus on the story and a better pacing, this could’ve turned out to be a masterpiece. That said, I’m giving this an enthusiastic recommendation because of the strong performances and touching story based on what really happened to Christine Collins and her son back in 1928.