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February 13, 2009

Swing Kids

by Franz Patrick

Swing Kids (1993)
★★★ / ★★★★

After wanting to cry so badly for about an hour, the ending was done in such an over-the-top way to the point where I really wanted to laugh. That said, I really liked this picture not because it’s particularly accurate or even about an important group of people that changed the tide of World War II, but because I truly felt the emotions it wanted to convey. It’s about three friends and their love for swing music. As Nazism grew, their friendship is challenged in a meaningful way: one did not compromise his beliefs and remained a civilian opposing Hitler (Frank Whaley), while the other two joined in a training facility for Hitler’s army (Robert Sean Leonard and Christian Bale). I thought it was interesting how Leonard and Bale were being corrupted for a while; at some point one of them managed to wake up but the other one did not. There’s so much drama involving Leonard’s character but the one I found to be most involving was his relationship with his family. It was painful for me to watch the family implode because they are essentially good people caught in circumstances where they have to make the tough decisions in order to survive. But the one jarring thing that made me almost give up from even giving the movie a good review is for about forty to fifty minutes, no one voiced out that by joining Hitler’s army, despite one’s belief that it’s wrong or one is only using it for the perks, it’s basically supporting something evil. For me, that was the most obvious fact and when no one was saying it out loud, especially by characters who are questioning their identities and what they stand for, it’s a big misstep. Thankfully, at some point someone finally said it and that’s when the core of the picture started to show. If the director, Thomas Carter, has established the core sooner and made room for a more subtle ending, this film would’ve been more powerful. Instead, “Swing Kids” becomes a movie that has a powerful middle but a weak beginning and ending. Still, I’m giving it a three out of four stars because it made me care about what would happen to the characters even though they were one-dimensional in the beginning: kids who oppose Nazism and love swing music. I would also recommend it for the fans of Leonard and Bale who want to see them look really young. It made me wonder how big of a star Leonard would’ve become if he didn’t star in “House, M.D.” because he can outshine Bale in many scenes.


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