Brideshead Revisited

Brideshead Revisited (2008)
★★ / ★★★★

I really wanted to like this film more than I did because it has elements that instantly grabbed my interest: a period story with a love triangle that happens to comment about the limitations of religion. But for film that runs for about a hundred and thirty minutes, it should’ve been stronger. I thought the first half was very good because it has a mystery regarding why Matthew Goode’s character claims that he doesn’t know himself or what he wants in life. We are then taken back a couple of years when Goode meets the rebellious Ben Whishaw and the elegant Hayley Atwell–two siblings that he fell in love with. We also got to see Emma Thompson as their extremely religious mother and how the way she raised her children had negative consequences. But somewhere in the middle, the story got too cluttered: some characters leave without some sort of closure; then we are suddenly propelled to the present as we try to figure out each character all over again. It was an exhausting experience because I was so invested with the three leads during the first half of the film. I wanted to know more about their lives in the past than I did in the present. Another fatal mistake that the filmmakers had was near the ending. I’m not sure if I should blame Julian Jarrold, the director, or the actual novel itself (I haven’t read it so I wouldn’t know) but there was a scene where we’re supposed to question Goode’s true intentions. After watching that scene, I felt like a rug was pulled from under me and I didn’t know whether I should still care for the character or not. Maybe if the director had done it in a much more subtle manner, it would’ve worked but I was really taken aback. This film offers gorgeous architectures, paintings, and clothing but the story didn’t make much sense because of the way it unravelled in the second half. The best part of the film was watching the chemistry among Goode, Whishaw, and Atwell; how their youth got the best of them even though they had all the potential in the world to become gods of their own destinies.

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