★★ / ★★★★
This second part of the trilogy confused me. It started off with promise because it focuses on the ugly divorce between Julie Delpy and Zbigniew Zamachowski. Even though I thought the story would revolve around Delpy, Zamachowski is interesting because he’s vulnerable but he’s not above not taking revenge for the hateful things that Delpy did to him. After the divorce, Zamachowski ended up back in Poland and began acquiring wealth. He then hatched a plan to answer the questions that have been bothering him and decided to return to Delpy’s life. The first and last part of this picture were effective because it embraced its atypical way of telling the story. One moment it’s a marriage drama but the next it’s a well-told dark comedy. However, the middle portion was too aimless for my liking. I constantly found myself trying to figure out where the story was going or if it was even planning on going anywhere. Zamachowski’s character who has been kicked around like a homeless puppy by a handful of individuals spent too much time feeling sorry for himself. It works in some segments of the film because it makes the audiences root for him, but spending too much time in a depressed state can lead to audiences’ ambivalence. Even as he started to gain wealth and power, he still felt sorry for himself. Whatever happened to a depressed but strong protagonist like from its predecessor (played with such craft by Juliette Binoche)? I also missed the astute use of music and color in order to reveal certain layers of a character. This one barely had any and that frustrated me. If one is looking for an unconventional film that straddles the line between drama and dark comedy, this is the one to see. But if one is looking for something that’s rich in implications and technical ways of revealing certain aspects of characters without using words, avoid this one because it will disappoint.