★★ / ★★★★
I think a lot of critics and audiences alike have been way harsh on this film. I concur that this picture is not easy to swallow and digest since most of the story took place in one area. It definitely got suffocating because the audiences are subjected to see the same place for about an hour and fifteen minutes (the middle portion); the only things that changed are the increasingly disgusting living conditions of the blind and the dynamics among the wards. Mark Ruffalo and Julianne Moore lead one of the wards, a doctor and a doctor’s wife, one lost his sight and the other one kept her sight (though it must be kept a secret), respectively. It was interesting to watch their relationship change as the film went on because Ruffalo depended on his wife regarding pretty much everything. There was a brilliant scene when Ruffalo talked to Moore about not seeing her the same after she feeds him, bathes him, and cleans him up in ways that a nurse or mother normally does. There was this undeniable tension between them but at the same time they must stay together because everything around them is falling apart. I thought it was interesting how Fernando Meirelles, the director, chose to tell the story. In the first few scenes, we focus on this one man who suddenly goes blind in the middle of traffic (Yusuke Iseya) and slowly transition to other people suddenly going blind to the point where it becomes an epidemic. The epidemic and ravaged city reminded me of “28 Days Later” and “28 Weeks Later,” only instead of zombies roaming the streets, it’s blind individuals. I also liked the slightly hopeful ending because the suffering was not entirely for naught. Still, by the end of the picture, I still wanted to know the source of the epidemic. That lack of explanation somewhat got to me (and I imagine as most people would). I don’t deny the fact that I saw some hints of great filmmaking here such as the stark contrast between certain images in the beginning and the end of the movie. I also liked the “Lord of the Flies” element in the quarantine zone when everyone had to decide who would get how much food, who the leader should be and who would emerge victorious between the wards. I’ve never seen Gael García Bernal so immoral so his character definitely took me by surprise. With a little bit more explanation and less saggy middle portion, this would’ve been a much powerful film. The acting was already really good and there were scenes that really tugged at my heartstrings. See this if you’re curious and hopefully you’ll see what I see in it: potential.