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May 14, 2009

Synecdoche, New York

by Franz Patrick


Synecdoche, New York (2008)
★★ / ★★★★

This is the kind of movie that is frustrating to watch because its ambition got in the way of true emotional resonance. Philip Seymour Hoffman stars as Caden Cotard, a theater director who one day decides to make an epic life-size play about his whole life. He makes that decision because he wants to know how his life turns out the way it is, to understand why his relationship with the people he loves most simply did not work. There are four women in his life that have impacted him greatly: Samantha Morton, a box-office worker, Hope Davis, a shrink, Michelle Williams, a stage actress, and Catherine Keener, Caden’s wife. The first thirty minutes of this picture is very engaging: I felt how alienated Caden was because he doesn’t feel appreciated by his family and the people he works with. That frustration (and maybe even a bit of rage) begins to manifest physically and he starts to think more negatively about himself to the point where he ends up believing that he’s dying. The point where I started to get confused was when the movie decided to jump forward in time multiple times. I began to lose track of who Caden can still connect with, his motivations, and where he’s ultimately going to end up. On top of that initial confusion, Charlie Kaufman, the writer and director, kept adding elements of existentialism and sequences that might have or might not have happened. The movie got way into itself to the point where I couldn’t relate at all. I’ve read a plethora of critics’ reviews that this is a great film because of its ambition. To me, ambition can only get a movie so far. With ambition, a film must also be able to take its audiences to whether it decides to go no matter how ludicrous the destination. With this film, I felt left out of the loop and constantly wondered what was going on. Even though it’s not as accessible and relatable as I would’ve liked (especially for a movie that’s about life and death), I’m still giving this movie a mediocre rating because I did like some of the elements and issues it tried to tackle.

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