Buenos Aires 100 kilómetros (2004)
★★★ / ★★★★
I really enjoyed watching this small Argentinean film written and directed by Pablo José Meza. At times it reminded me slightly of “Stand by Me” because it explores a group of friends’ dymanics: the elements that keep them together and the elements that keep them apart. Just like most group of friends, I liked that some individuals are closer than others such as Juan Ignacio Perez Roca (as Esteban) and Juan Pablo Bazzini’s (as Damian) characters. The two of them stand out because their personal battles are explored in a thorough manner. Esteban is forced by his father to take drawing classes so he can one day become an engineer and rebuild the small town where they reside. However, his real passion is to be a writer but no one really supports him except Damian and the girl he has a crush on. I thought the film’s strength lies in the silence whenever the camera just lingers on Esteban’s inner struggle to meet his father’s expectations as well as putting his imagination down onto the pages of his notebook. I could identify with him because my mom forced me to focus on school when I was younger instead of playing outside with the other kids. (Don’t get me wrong–she did let me have fun once I’ve done my part.) Although I immensely thank her now that she did that, when I look back on it, sometimes I feel like I did miss some of my childhood because the idea of responsibility was introduced to me very early on. As for Damian, he’s so obsessed about one of the members of their clique as being adopted. Eventually, he finds out that he’s the one adopted and he doesn’t take it too well. He claims that his adoptive parents didn’t really love him because he feels like they babied him to make up for not telling him the truth. I liked that his way of thinking is a bit skewed because, in reality, that’s how young adolescents think. When the two talk to each other, the film becomes alive because the audiences know why they have certain point of views and their motivations. We understand that, beneath their silliness when they hang out as a group, they are intelligent kids who can flourish as adults if they continue to apply themselves. Unfortunately, the other three friends weren’t fully explored and that’s ultimately the film’s weakness. In my opinion, it could’ve been better if it had an extra thirty minutes or so. Otherwise, this character-driven coming-of-age film is impressive in many respects considering that it didn’t have a big budget. Instead, it relies on its good script, interesting performances and careful observations on how friendships are like in real life.