★★★ / ★★★★
“Jellyfish,” directed by Shira Geffen and Etgar Keret, peeks into the lives of three women in Israel: Batiya (Sarah Adler) who one day meets a little girl on the beach and wakes her up from the seemingly meaninglessness life she’s living; Joy (Ma-nenita De Latorre), a Filipina who takes care of older people whose children do not have time for them and at the same time feels a lot of guilt for leaving her son to earn money from another country; and Keren (Noa Knoller), a recent bride who breaks her ankle on her wedding night and fears that her husband is cheating on him during their honeymoon. This is definitely not everyone’s kind of movie because it doesn’t have a traditional way of storytelling: a defined exposition, rising action and climax. The camera simply drops in and out of the three women’s lives yet at the same time it strives to find a commonality among them. The idea of loneliness and fear is at the forefront but one can also argue that this film is ultimately about hope and strength to keep on living. And that’s what I love about it: it’s very open to interpretations because it’s full of symbolism and elements that may or may not be real. Even though the three women’s paths do collide at some point, it doesn’t feel forced like many American movies where one circumstance changes everybody’s lives by the end of the movie. In my opinion, “Jellyfish” is the perfect title for this film because its way of telling the story and structuring of the characters is mostly dependent upon the movements on the ocean, which means it’s organic and natural. However, I do think that some of the subtitles weren’t accurate enough. I can understand Tagalog and there’s a certain disconnect between what the character is saying and what’s written at the bottom of the screen. However, most foreign films have that problem so I’m not going to heavily hold that issue against this picture. If one is up for watching something a little different, “Jellyfish” is a recommendation because of its inherent poetry and sadness.