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September 22, 2009

Repulsion

by Franz Patrick


Repulsion (1965)
★★ / ★★★★

Roman Polanski’s “Repulsion” was about a manicurist (Catherine Deneuvre) and her steep descent into paranoia and eventual madness when her older sister (Yvonne Furneaux) and her married boyfriend go away for vacation. Deneuvre’s characters is interested in sex but at the same time repulsed by the idea of men touching her (hence the title). Hearing her sister and her boyfriend having sex in the next room (the sisters share an apartment), being pursued by a charming bachelor (John Fraser), and her lack of outlet for her negative feelings all contribute to her deteriorating mental state. I admired the movie, there’s no doubt about it, but I simply liked it for its style–the lack of special effects, the effective silent moments, and the haunting black and white images as the audiences were able to see what the lead character was seeing. I thought the story was pretty weak because it did not spend a solid amount of time to convince the audiences why we should care for the main character. I thought she was weak and had attachment issues. Why should I root for a character with barely a flickering ember inside of her? I also did not like the fact that a person with a mental illness was shown as someone who was violent and readily capable of killing (in reality, most aren’t). Lastly, I hated Polanski’s soundtrack, especially those horrid drums. Whenever I heard such loud bangings, it immediately took me out of the mood and left me frustrated. Instead, I would have loved to see more of Deneuvre and Fraser on screen together because I thought they had some sort of chemistry worth exploring. I understand that this had a small budget but that is far from the issue because I liked its realistic images of horror (hands coming out of walls and all). I definitely saw some parallels between this film and the masterful “Rosemary’s Baby” (also written and directed by Polanski). It’s just that this picture is not as fully realized because it needed more time in the editing room to cut off some unnecessary minutes.

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