Murmur of the Heart (1971)
★★★★ / ★★★★
Written and directed by Louis Malle (“Au revoir les enfants”), this unconventional coming-of-age picture (also known as “Murmur of the Heart”) was about an intelligent fifteen-year-old named Laurent (Benoît Ferreux) and his quest to lose his virginity. He has a difficult time achieving his goal because his family watches each other’s moves very closely: two brothers who act like spoiled rich brats, a father (Daniel Gélin) who is a gynecologist, and a free-spirited mother (Lea Massari). He finally gets away from his family (except his mother) when he gets ill and has to go to a medical spa in hopes of getting better. I mentioned that this was an atypical coming-of-age tale because, in a way, it kind of excuses or glosses over the issues of childhood molestation and incest. Scenes that would normally or supposed to bother people, such as a religious leader inappropriately touching a boy and a mother who is way too involved with her son (emotionally and physically; taking “European” kind of closeness into consideration), are an integral part of the story, the director decided to not judge and simply show what was happening. In many ways, I admired this technique because most films that I’ve seen that tackled the same topics could not help but pass judgment. This film reminded me of Bernardo Bertolucci’s “The Dreamers” not because of of its subject matter itself but because of the many scenes that were shot indoors, the political backdrop of the story (in this case, the IndoChina War), and that feeling of freedom to explore any kind of topic and emotion that could easily be labeled as taboo. In the end, I really got to know Laurent: what kinds of books he likes to read; his tastes in music and girls; what he thinks about the people around him; and his own capabilities as a blossoming adolescent facing pressures exerted by himself and other people. Perhaps if I knew more about the authors and books that Laurent referenced to, I may have had a better understanding regarding some of his motivations to do certain things. This was a daring film but, in my opinion, did not cross any line but merely straddled it. I must also note that this was not just about a person who wanted to have sex for the first time. It was much more complex than that. But another one of the many layers of this movie was the dynamics among the family members, whether or not in its core, they were truly happy.