★★★★ / ★★★★
Written and directed by Hayao Miyazaki, “Ponyo” (also known as “Ponyo on the Cliff by the Sea”) tells the story of a princess goldfish (Noah Cyrus) who truly wants to become human. After escaping from her father (Liam Neeson) whose job is to maintain balance in the natural world, she meets a five-year-old boy named Sosuke (Frankie Jonas) and instantly falls for him. Although I very much enjoyed this latest film from Miyazaki, I don’t think it’s his finest work. The story is beyond cute, the characters’ motivations are easy to understand, the world has a sense of wonder, and the situations the characters are put in have enough danger in them to make the audiences want to root for the characters to succeed. In a nutshell, it’s the perfect movie for kids and adults because it’s highly entertaining. However, I wasn’t as emotionally invested in it as I was when I saw “Spirited Away” for the first time. It must be noted that I saw the dubbed version of this animated picture in theaters so perhaps some of the dialogue was lost in translation. But I wanted a more insightful story regarding the characters. Earlier in the film, there was this tension between Sosuke’s mother (Tina Fey) and father (Matt Damon) because his father was always away at sea. There was a certain innocence and genuine comedy when the mother and father were trying to communicate in morse code by using lights. I wanted more of those situational family moments because then the film becomes that much more personal. What I really liked was that the message about the environment and how we must do our best to take care of it but it the message was never heavy-handed. Such messages were simply shown on the screen as tons of garbage were being collected from the ocean floor and ocean creatures were suffering in more ways imaginable (including the title character). Despite some of the very small negatives I mentioned, I still think this is a very strong film about a creature who tried her best to reach her dreams. “The Little Mermaid” comparisons are justified because of the premise but one shouldn’t imply that it doesn’t rise above the template. In fact, Miyazaki’s signature style of being unbound by realism was constantly at the forefront here. Therefore, every image we get (and the emotions that come with them) is very inspired and it’s very difficult to resist its charm.