Léon: The Professional (1994)
★★★ / ★★★★
Jean Reno, a reclusive assassin whose best friend is a plant, takes twelve-year-old Natalie Portman under his wing after her family was killed by police officers led by Gary Oldman. Written and directed by Luc Besson (“The Fifth Element,” “La Femme Nikita”), I enjoyed “Léon” because it was more about the humanity of a contract killer instead of his many interesting ways of killing. Even though the action sequences could be found more toward the beginning and the end of the picture, I still found Reno and Portman’s relationship to be quite endearing. Undoubtedly, there were times when I found the director would cross the line between father-figure/daughter relationship and older man/younger girl relationship. Those scenes made me uncomfortable but perhaps it was because this was Besson’s first full English-language movie. In my opinion, European films have a more sensual feel compared to American movies. Still, I was able to overlook such flaws because I found the story to be interesting even if it needed to have more depth. Another quality I liked about this film was that there really was no “good” character. Pretty much everyone had done something shameful in their lives. And the main character was aware of this so he locks himself up in his room and only comes out whenever he has an assignment. Oldman’s character was the kind of guy that you love to hate because he has no redeeming quality. Nevertheless, I thought he was very interesting to watch because of his quirky mannerisms and sinister aura. I kind of expected an intense duel between him and the protagonist so I was somewhat disappointed with the ending. For such a sadistic man, I thought the bad guy would suffer more in the hands of another killer and get the delicious irony he deserved. If one is looking for action with picture with a heart, I’m giving “Léon” a pretty solid recommendation despite its sometimes glaring flaws.