★★★★ / ★★★★
Students with talent when it comes to acting, singing, dancing and playing music were accepted in New York City’s High School for the Performing Arts and those who lack such talents were rejected. The very intense audition process was only the first scene and it really showed me that “Fame,” directed by Alan Parker, was going to be a very different musical compared to the ones that have been released in the 2000s. Throughout the film, it had a certain seriousness to it. It started off showcasing naive characters who want to “make it big” but as years went on, some of them made it while the others’ dreams were crushed because they either succumbed to the pressure or they simply didn’t have that extra “thing” to make them stand out. Some of the students that the film focused on were Irene Cara (who wanted to be a singer), Maureen Teefy (who wanted to act), Barry Miller (who wanted to follow Freddie Prinze’ footsteps), and Lee Curreri (who wanted to make and play music that was different and progressive). Throughout the film’s 130-minute running time, the spotlight was eventually under each of their respective struggles and we get some ideas on what made them the way they were. I also liked the fact that none of the actors looked like typical actors or had features that most would deem “beautiful.” In fact, all of them looked kind of geeky or nerdy so that spice of realism really helped the picture to become more than another forgettable musical. As four years went by, the characters matured (while some were fixated) in both overt and subtle ways and their problems had more gravity. Granted, the pacing became a little slow (and somewhat depressing) toward the end but I was more than willing to forgive that flaw because there were a plethora of memorable scenes and fun dance sequences. I wish that Cara had more scenes, however, because I really did love her songs. I wished that the film showed more of what personal events and experiences inspired her to write. This movie’s remake is to be released this year (2009) and I can only hope that it is able to retain some edginess and realism that this one had. I also hope that the remake would not lose sight on this picture’s theses–that talent is a good template but far from enough to be successful; and those who attain fame are not necessarily safe because it’s a constant challenge to rise above the pressures. The movie’s ability to take the audiences back to the 1970s was a bonus.