A Serious Man (2009)
★★★ / ★★★★
Ethan Coen and Joel Coen directed this film about a Jewish family led by Michael Stuhlbarg, a physics professor who one day finds himself unable to roll with the punches that life sends his way. His very unhappy wife (Sari Lennick) wants a divorce to marry another man (Fred Melamed), his son (Aaron Wolff) discovers and experiments with drugs, while his daughter (Jessica McManus) seems to care more about her friends than her family. Meanwhile, a family member who is currently staying in their home is addicted to gambling. To top it all off, he has to deal with a student who bribes him with a lot of money to pass the course and death seems to be all around him. Like most Coen brothers movies, what I love about this project is its offbeat style of storytelling that is capable of going in a million directions. Also, the dark humor is so unrelenting to the point where I can’t help but wince whenever the characters go through very uncomfortable and uncompromising positions. Observing the nature of humanity and picking different kinds of people apart is their forte and that is constantly at the forefront of this picture. No matter how different each characters are in the Coen brothers’ films, I can’t help but find bits of myself in them. That universality is priceless and I believe that’s why I’m always excited whenever I see a movie by the Coens. While I agree with other critics that this is probably their most personal film yet, I just couldn’t get help but feel cheated because of its ending. I love depressing endings (and endings that goes completely against the idea of living happily ever after) and even unconventional ones (such as “No Country for Old Men), but there was something about this movie’s particular ending that rubbed me the wrong way. Even though a friend that I saw this movie with explained to me why the ending was justified (and even brilliant because it supported the film’s central thesis), I can’t accept the fact that it ended right when everything started to come together and the characters were about to meet their respective fates. I admired the film’s ability to truly embrace a Jewish community in 1967 without being condescending and I was fascinated with the characters whether they were Jewish or not. But I was left hanging in the end; the more I think about it, the more disappointed I feel instead of feeling impressed. I’m giving “A Serious Man” a recommendation because it was definitely entertaining and I could feel the Coen brothers’ passion for making movies in every frame. They do whatever they feel like doing without fear of annoying their audiences and that in itself must be commended.