★ / ★★★★
Five groups of people were the focus of “Gomorra” (or “Gomorrah”), directed by Matteo Garrone, and, unfortunately, none of them worked. I expected a lot from this movie because I assumed that since it was over two hours long, it would really have a chance to explore the psychologies and motivations of the characters. Not to mention it received glowing reviews from critics and audiences alike. I should have known to lower my expectations because I just don’t have good experiences with movies that show people being involved or growing up in a life of crime (like the overrated “City of God”–a decent movie but overrated nonetheless). With such movies, I feel like internal exploration is often sacrificed for grittiness, griminess and melodrama when instead all of those elements should be working together to make a trascendent, if not moving, picture. Come to think of it, I don’t even remember the names of the characters in this movie because I was just so uninterested with was happening on screen. In my opinion, the characters got what they deserved in the end (whatever they may be) because throughout the movie’s running time, they often thrusted themselves in unnecessarily dangerous situations. I read one critic mention that these people do not have a choice in being involved with the life of crime. I completely disagree. We have a choice to not dump toxic waste in illegal areas which pose a threat to the health of others; we have a choice to not put a gun on someone else’s ahead and pressing the trigger; we have a choice to not be chained to the bad reputations of our neighborhoods and strive for something more in life. I know this because I know how it’s like to grow up in a poor neighborhood. Another element that really bothered me was that the disparate stories never really aligned. More than halfway through, I constantly wondered where the story was going or if it was even planning on going anywhere. I feel like the picture had some sort of a thesis deep inside its walls but it was never really tackled head-on until those notes appeared prior to the credits. This was definitely a different movie-going experience and I would have liked it a lot more if it had flowed better. I’m not saying that it should have conformed to the Hollywood standards. In fact, I would have disliked it just as much if it did. But a chaotic storytelling that confuses its audiences and not letting them in is not a trait of a good film. There were some glimmer of potential here and there (and that’s pushing it) but those weren’t enough to draw me in and keep me interested. To be honest, I felt like watching it was a waste of my two hours.