Pianist, The (2002)
★★★★ / ★★★★
You can say a lot of things about Roman Polanski since his personal life is often torn apart among the tabloids but you cannot deny that the man knows how to make movies. Not just typical movies that happen to be commercially successful, but movies that are personal, have artistic merit and have distinct emotional resonance. In “The Pianist,” Polanski focused on the survival story of a Polish Jewish survivor named Wladyslaw Szpilman (Adrien Brody) in Warsaw in the middle of World War II. I thought it was interesting how the picture started off with him and his family (Maureen Lipman and Frank Finlay as his parents, Jessica Kate Meyer and Julia Rayner as his sisters, and Ed Stoppard as his brother) and then shift the focus on how he was able to survive on his own with the help of kind strangers and adoring fans (Emilia Fox). Even though this was set in WWII, I thought it felt a little different because we spent the majority of the time observing him from indoors–how he saw the war from his window somewhat from an outsider’s perspective yet still caught up in the middle of it. We also observed how he moved from one place to another and the dangers (and repercussions) of certain decisions he had to make in order to subsist. Back when I saw this this film for the first time in 2002, I did not understand what was so special about a man trying to hide in an apartment instead of joining his comrades to fight against the Nazis. But seeing this movie seven years later, I thought that Szpilman’s experiences were really painful because he had to live with the guilt of surviving as his friends and family were murdered. Yet at the same time, it took a lot of courage for him to want to keep living despite the fact that there were times when he caught serious diseases, hasn’t eaten for days on end, and how the lack of company almost drove him into madness. I was really touched whenever he would play the piano after hiding for so long; it was kind of like watching a man coming back from the dead. I thought it expertly embodied the idea of music being an elixir of life. My favorite scene was toward the end when he played the piano for the Nazi that chose to help him (Thomas Kretschmann). I would never forget that scene because I felt like a lot of things were communicated between them even though they weren’t engaged in a conversation. With such great acting from everyone involved in this film, “The Pianist” was an emotional experience I can only try to describe. I believe everyone should see it at least once because the many layers are worth exploring. It was melancholy, suspenseful, dark yet it was sensitive and truly remarkable.