Fils, Le (2002)
★★★ / ★★★★
“Le fils” or “The Son,” written and directed by Jean-Pierre Dardenne and Luc Dardenne, tells the story of a sixteen-year-old (Morgan Marinne) who is taken under the wing of a grieving carpenter named Olivier (Olivier Gourmet) who lost his son five years ago. As the film goes on, Olivier becomes more and more interested in the teenager and not until we meet Olivier’s wife (Isabella Soupart) do we find out exactly why he is so fixated on his new apprentice. This is probably one of the most bare-boned films I’ve ever seen but it has such a powerful emotional wallop. I can understand why a lot of people are immediately turned off by this movie because not a lot of things happen on the surface. The dialogue was minimal and the camera had a penchant for close-ups to really absorb the nuances in the facial expressions of the actors. I argue that the film is very eventful when it comes to the internal rage and depression that each character is going through. Yet they also want to not be angry anymore and to move on with life. Just looking in their eyes made me feel so sad because I felt as though they had a story that they were ashamed of and would do anything to keep hidden. Once that connection is made between the two leads and the audience, each movement was purposeful and had some kind of meaning. I was really curious about whether Olivier wanted to hurt the teenager in some way or if he has something else in mind. The silences that they shared were so painful and awkward to watch at times yet I thought it was very realistic. When I think about it, there are some days when I say less than ten words to another human being because either I’m so into my own thoughts that I don’t even notice or I actively choose not to speak to avoid some kind of collision. The directors really knew how they wanted their story to unfold and it’s a shame because the majority of less introspective viewers would most likely miss the point. There’s a lot to be said about “Le fils” but this is the kind of film worth discussing between two people who have seen it than between a reviewer and someone contemplating of seeing it. The organic manner in which the picture revealed itself to me touched me in a way that it was almost cathartic. If you’re feeling like watching something that doesn’t conform to Hollywood typicality, this is definitely a great choice. My advice is to be patient during the first twenty to thirty minutes. It will hook you in when you least expect it.