Leap Year (2010)
★★ / ★★★★
A woman (Amy Adams) in a relationship with a cardiologist (Adam Scott) for four years thought that he was finally going to propose to her to get married. But since that wasn’t the case, she decided to fly to Ireland on a whim to surprise her husband-to-be and propose to him on a Leap Day–which she was lead to believe to be an old Irish tradition. But things didn’t go quite as smoothly as she had planned because even though she didn’t get along with a charming man (Matthew Goode) who agreed to take her Dublin, she started falling for him (and vice-versa) because he was everything her boyfriend was not: simple, didn’t let her get away with being a brat and someone who had her back when it mattered most. Directed by Anand Tucker, “Leap Year” was pretty much the same kind of romantic comedy released every month (more like every week) but I ended up somewhat liking it because I love Adams and Goode in just about every movie they star in. They both had this strange chemistry even though all they did was bicker and ended up in the most unfortunate situations. In a way, they were perfect for each other because she was too controlled and she had a list on what she wanted in life, while he was a person who was fine with wherever the wind took him. It also helped that he was a bit brooding but that darkness I felt wasn’t really explored. My main problem with this film was its script. I thought the dialogue lacked another dimension–it was too simple and there were times when I felt like I was watching an episode of a television show than a movie. While it did have some cute touches such as Scott playing a cardiologist but he had no idea what was in his girlfriend’s heart, those weren’t strong enough to make this a superior romantic comedy. It didn’t have gravity so I wasn’t at all emotionally invested. The middle portion was a bit too much and it dragged on in what felt like an eternity. I wish the movie explored the Irish tradition a lot more instead of just showing Adams in the most embarrassing situations. By the tenth time things didn’t go her way because of the black cat that crossed her path, I pretty much got the picture and I wanted it to move on. Without its leading stars, I could easily have hated “Leap Year” because it didn’t strive to be something more. It was safe, sometimes sweet and often clichéd. I couldn’t help but think Adams and Goode were too good for the roles they’ve chosen to play.