The Stepfather (2009)
★ / ★★★★
Nelson McCormick directed this remake of the “The Stepfather” released in 1987 which starred Terry O’Quinn. In this version, Penn Badgley comes home from military school with some worry about his mother (Sela Ward) deciding to get married to another man (Dyan Walsh). Despite his initial suspicions, at first everything seemed to have been going well up until a elderly neighbor recognized that Walsh’s character resembeled someone from America’s Most Wanted. The longer the infamous killer stayed with his new family, the more people started to ask questions about his past. The killer evaded the questions as often as he could but he could only circumvent the issue for so long so he decided to go on another murder rampage. I believe this remake had a real opportunity to improve on a pretty average original film but it didn’t because it directed its focus on impressing the thirteen-year-old girls. In just about every scene that Badgley was in, he was either shirtless or he was wearing a wife beater. It also didn’t help the fact that Badgley isn’t a very good actor. As a fan of “Gossip Girl,” I feel like he’s more suited to television because he lacks subtlety. Other than that, the movie stapled itself to the conventions of slasher flicks such as the big showdown occuring in a dark, stormy night. I found myself rolling my eyes and yelling at the screen how stupid the characters were pretty much the entire film. It’s like none of them has ever seen a movie about serial killers before. For me, the writers were to blame because they deliberately treated the audiences as if they couldn’t think for themselves. Everything was too obvious and painfully generic. Even with the big showdown in the end, the music provided the tension and the images were just there. If the soundtrack was off, I wouldn’t feel any sort of excitement because the characters didn’t have a solid foundation to make me want to root for them. When I watch a movie about serial killers terrorizing families, I want to feel genuine suspense throughout and sympathy for the family. In here, it was all shiny glitters on the surface and no substance. The writers are in desperate need to go back to Thriller 101 and really try to understand what makes a successful thriller for both the young adults and the older ones. My one advice is that half of the picture should be about the tease and the rest about the pay-off. This remake of cult classic “The Stepfather” had neither. I have no idea why studios decided to give this film a green light when the script was beyond egregious.