Dead Snow (2009)
★★ / ★★★★
The Norwegian horror-comedy “Død snø,” or “Dead Snow,” told the story of eight medical students (Lasse Valdal, Vegar Hoel, Stig Frode Henriksen, Charlotte Frogner, Evy Kasseth Røsten, Jeppe Laursen, Jenny Skavlan, Ane Dahl Torp) who decided to go to a cabin up in the snowy mountains over Easter break. Little did they know that the land covered in ice had a history of Nazi occupation and that those Nazis turned into zombies. They only found out about the land’s history when a creepy stranger (Bjørn Sundquist) dropped in on them in the middle of the night. I love zombie flicks so I just had to see this movie even though the synopses I read sounded a bit cheesy. As cheesy as the movie was, I did like it in parts because I thought it managed to capture the eerieness of being in the middle of nowhere and all we could hear was the wind and all we could see were endless land of ice. In a way, the very isolated environment reminded me of a hybrid between “The Thing” and “The Blair Witch Project.” Unfortunately, the setting and the occasional effective scares toward the beginning were the only elements that kept this movie afloat. Perhaps I was lost in translation (I did see the movie with subtitles) but I just did not find the jokes to be funny. In fact, I felt like it was trying too hard, kind of like the American teen slasher flicks. I’m not quite sure if the movie was trying to be ironic by featuring medical students who are not very bright or lacking survival skills and instincts. But what I am sure of is the fact that it became the kind of movie that it was trying to poke fun of. A lot of horror-comedies fall into that trap and this one is no exception. I found the middle portion too stagnant–it felt like it didn’t know where it was going. Nazi zombies that could think and take orders was an original idea but the execution lacked tension. I really hated it when the characters would make jokes at each other when they were aware that a zombie was only a few feet from them. It worked for “Shaun of the Dead” because it wore its cheekiness on its sleeve but it did not work in “Dead Snow” because there were times when it aimed for seriousness. If I saw a zombie, I would either try to kill it (depending on its size and what kind of killing tool I have in my hands–yes, I’ve thought about this) or run like I’ve never ran in my life. Perhaps fans of gore and limbs flying everywhere might enjoy this zombie film. Unfortunately, I didn’t quite buy the universe that the characters were in. “Død snø,” written and directed by Tommy Wirkola, should have just been a straight-up horror picture. If it did, I probably would have liked it a lot more.