Film

Casino


Casino (1995)
★★★★ / ★★★★

Based on a book by Nicholas Pileggi, “Casino” was about a casino owner (Robert De Niro) and his childhood friend who worked for the Mafia (Joe Pesci) whose bonds were tested on three fronts: their personal relationship, their businesses and a prostitute (Sharon Stone) with a penchant for money and power. But that’s only the surface of this deeply layered film expertly directed by Martin Scorsese. It was a strange feeling because although I found the film to be really complex in terms of how connected everyone was and how malleable their loyalties were, there were times when I thought it did not have a story. I felt like I was dropped into these characters’ lives and I was forced to watch their lives unfold from the 1970s until the 1980’s. The acting here was top-notch: De Niro had this suave swagger going on, Pesci was dangerous but there was something about him that I could not help but like and Stone was the kind of character who one could not help but hate. The way the three collided was very fun to watch because there were times when, like in Scorsese’s “Cape Fear,” everything was so exaggerated to the point where it was borderline amusing. I was absolutely in love with the script because, through narration, the characters were able to provide insight about their work and the decisions they made despite the fact that they knew they were going to regret it in the long run. I felt like the characters were actual people instead of just cardboard caricatures. Almost everything about this film was big: the ideas, the dark undertones, the dynamics of marriage and friendship. But I loved about it most was that it was able to analyze Las Vegas as one of the most glamorous places in the world but at the same time one of the ugliest places in the world. The way Scorsese played with that duality was fascinating to me because not only did he apply it as a metaphor for the characters, I think he pointed the finger at us–how out brilliant ideations do not always coincide with the grimy actualities. I also enjoyed how Scorsese viewed corruption as an almost necessary survival instinct for one to thrive in Las Vegas. Its three-hour running time was definitely a challenge (I took a break somewhere in the middle) but once I was hooked, I could not help but absorb it all. Some argue that picture was way too long and got bogged down by the marriage drama that pervaded the second half. I couldn’t disagree more because De Niro’s character deeply valued trust. I thought the second half made the movie that much richer because I understood him a bit more, given that we got to see him outside of the casino. That second half also gave us a chance to see De Niro and Pesci collide outside of the business world onto a more personal arena. Fans of Scorsese definitely should not miss this project because I think it’s one of his best. I only wish I had seen it sooner.

4 replies »

  1. By default almost I love “Casino” — it’s De Niro! It’s Stone! It’s Pesci! — but I really felt like it needed better editing. I have no problem with epic-length films, but this one pushed it for me. It almost lost my interest there, and that’s very hard to do because I watch movies where NOTHING happens.

    • I totally understand what you mean. At times it pushed my patience but I mentally prepared myself prior to watching the movie. Since it was very character-driven, I appreciated the extra details even though the picture could have done without some scenes and still come out excelling.

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