★★★ / ★★★★
Adapted from Susanne Bier’s “Brødre,” “Brothers,” directed by Jim Sheridan, was about two brothers: a Marine (Tobey Maguire) who loves his family and kids (Natalie Portman, Bailee Madison, Taylor Geare) and an ex-con (Jake Gyllenhaal) who recently got out of jail. The (very intense) final forty-five minutes shook me to the core when Maguire’s character finally returned to his family after being captured and tortured by the enemy for months. But as great as the last third was, I was also impressed with the way the film tackled subjects such as redemption in Gyllenhaal’s character wanting to do good for his brother’s family by playing with the kids, fixing up the kitchen, and helping them move on from a death in the family. During the first few minutes, it also established the fact that even though the brothers were so different from one another (highlighted in scenes where the father expressed pride in one and disappointment in another), there was a strong bond between them and nothing could change their love for one another. I was moved especially when their relationship was challenged in the last forty-five minutes; I felt like the two actors were really brothers when they conversed because there was a sort of intimacy between them. I also liked the way it showed the ugliness of returning from war and being traumatized by the events that happened there. Although it tackled the issue with sensitivity, it wasn’t afraid to be honest regarding what could potentially happen to someone who had a severe form of post-traumatic stress disorder (PTSD) and the symptoms that came with it such as paranoia, rage and disorientation. It was heartbreaking to watch the children become afraid of their own father, the wife not knowing how to respond to her husband’s physical return (but not mentally and emotionally), and the way Gyllenhaal’s character dealt with his brother’s suspicions and anger. The only problem I had with the film were the scenes which involved Maguire being kidnapped by the enemy. I think if all those scenes were left out and the audiences were left to wonder what really happened to Maguire’s character, it would have been that much more haunting (such as using a title card stating “a few months later” and the like). A sudden shift from a warm, loving person to a cold person who was on a verge of a psychotic breakdown would have had a far more impact on me. Nevertheless, “Brothers” is a strong movie that relies on the characters and subtle (sometimes explosive) acting instead of soldiers trying to survive in war zones. It felt personal so I couldn’t help but think about it after a while.