The Verdict (1982)
★★★★ / ★★★★
Paul Newman plays Frank Galvin, a depressed lawyer who decided to take a malpractice case to trial, against his friend’s advice (Jack Warden), instead of settling for $210,000 out of court with a cut-throat lawyer (James Mason). I think this is a powerful film; it reminded me of the classic “12 Angry Men” because it was essentially about how one man decided to stand up for what was right. While the main character had his flaws such as alcoholism and he didn’t let the plaintiffs know about a chance of settlement, I could easily connect with him because he desperately wanted to redeem himself as a lawyer and as a man coming out of grief. I thought the script was electric both in and out of the courtroom. It wasn’t afraid to show the subtleties of the characters for the sake of plot conveniences so the movie felt multidimensional instead of just another one of those courtroom dramas where the climax could be predictably found in the last thirty minutes. I liked the fact that Sidney Lumet, the director, shaped a challenging movie where the ante kept increasing until the final verdict. When the case was over, there were no grand overtures for the losing or the winning team. What’s even better was that the main character was always challenged by those around him and the chance of him winning the case was always dim (sometimes too dim). I must applaud Newman because he had such a talent for balancing strength and sensitivity. He knew exactly what he wanted but at the same time he wasn’t afraid to stop to look at someone and allow himself to feel for them. Given that he lost someone important to him, I really felt like he wanted to fight for the helpless. His silent moments and pauses were so compelling because I could just feel his self-loathing and disappointments with himself and with the law. Another neat element was the tone of the movie reflected the inner struggle of the character–dark, brooding, self-reflective. Charlotte Rampling was also good, although somewhat underused, as Newman’s love interest. However, I think her character could have been developed some more. While she was an important tool to the story arc, she wasn’t utilized in such a way that she could have made a much bigger impact. Still, the scenes between her and Newman were sometimes heartbreaking because they were two lonely people wanting to speak with someone willing to be honest in an environment where lies were pretty much the default and most advantageous quality. Based on the novel by Barry Reed, “The Verdict” was an intense and compelling experience that one shouldn’t miss.