Alice Doesn’t Live Here Anymore (1974)
★★★ / ★★★★
A mother and son (Ellen Burstyn and Alfred Lutter III) decided to go on a roadtrip to Monterey after the head of the family (who was emotionally abusive) unexpectedly passed away. I wasn’t sure what to expect from this movie because I’m used to Martin Scorsese’s other projects which usually involved tough men drowning in dangerous situations. In here, it was more about a woman’s sense of self-worth and the way she kept picking herself up for her son after numerous heartbreaks. I think the picture had a great balance between drama and comedy but at the same time Scorsese wasn’t afraid to experiment with certain shots such as his homage to “The Wizard of Oz” in the first scene. It surprised me how amusing moments came off sad situations and vice-versa. The movie really embodied that 1970s feel; even though it was released thirty years ago, oddly enough, I thought it was fresh and I was fascinated with how it was all going to unravel. Two of my favorite scenes were when Burstyn said goodbye to her best friend and when the son tried telling his mother an unfunny and endless joke. Instead of going for the easy laughs and melodrama, it felt more like a slice-of-life picture that happened to work as a road trip film. I enjoyed the fact that the lead character was dependent on men and although she knew it, it was sometimes difficult for her to put her son first when she had a boyfriend. Even though that specific trait of hers bothered me, I still couldn’t help but root for her because she was essentially a good person. Even though her life was full of disappointments (such as her dream of becoming a singer not being realized), those things didn’t get her down. I also enjoyed watching the side characters such as the plucky waitress (Diane Ladd), the weird waitress (Valerie Curtin), and the kind but sometimes unpredictable farmer who the main character eventually fell in love with (Kris Kristofferson). All of them brought something special to the table that gave the movie a certain edge. “Alice Doesn’t Live Here Anymore” is a great film with strong acting (especially from Burstyn) and an interesting script. I’ve read reviews saying that since this was one of Scorsese’s first movies, it didn’t quite have Scorsese’s style that could be found in his other works such as “Casino,” “GoodFellas” and “Raging Bull.” I disagree. One of the things that made those movies so great was a fantastic ear for dialogue and I think “Alice Doesn’t Live Here Anymore” had that quality. The dialogue just didn’t have that “tough guy” feel to it but it certainly had strength.