George Washington (2000)
★★★ / ★★★★
Written and directed by David Gordon Green, “George Washington” tells the story of a group of friends (Candace Evanofski, Donald Holden, Curtis Cotton III, Damian Jewan Lee) who lived in small rural town whose lives changed forever after a tragic accident. That may sound like any other coming-of-age film but “George Washington” was much more complex than that because it was told with such a delicate touch and poetic lyricism. Being familiar with Green’s later projects, I was impressed that this was his first movie because he allowed his characters to speak to each other, to themselves and to us via narration. The characters expressed themselves like real people to the point where I thought at times that it was too naturalistic (but in a good way). I loved the fact that the characters evolved over time but the evolution didn’t come hand-in-hand with big realizations and deafening score. Their growth came in the quiet moments when they would just sit around and express to each other what they felt at that moment compared to how they were when we saw them in the beginning. I guess what I loved most about the picture was it didn’t go out of its way to impress and simply told the circumstances surrounding the subjects’ lives. A common theme I was most interested in was the suffocation both the adults and children felt living in that one particular town. One way or another, they expressed how they wanted to leave their homes to learn more about the world or possibly meet someone who could inspire or challenge them yet accept them for who they were. I’ve read some reviews claiming that not much happened or that the movie was too slow. On the contrary, I thought it was dynamic because even though the outside remained more or less static, there was so much struggle and hurt and questioning going on inside the characters. In a way, it reminded me of my childhood, especially during the summer, when all I would do was hang out with my friends or with my cousins all day. Our biggest worries almost always concerned our parents’ disapproval or someone getting hurt when would play games. So I thought the film was honest and painfully real and I was captivated by it. The final twenty minutes or so really pushed to reach a new level of imagination specifically the scenes about the boy yearning to be a hero. I thought it was symbolic of a person wanting to be someone else but not just to be any regular folk–someone who was worthy of fantasy and who everybody looked up to. “George Washington” is definitely for patient viewers who strive to look and feel beyond the surface. In the end, even though it had so much sadness in its core, I couldn’t help but feel hopeful.