Post Grad (2009)
★ / ★★★★
Directed by Vicky Jenson and written by Kelly Fremon, Alexis Bledel stars as Ryden Malby, a recent college graduate who planned out her entire future well before high school. (Which isn’t really a stretch from her very lovable character Rory Gilmore on “Gilmore Girls.”) Unfortunately, things didn’t quite go as planned when she found herself being unable to get a job because of the fierce competition in the job market. This movie had the potential to be really good because of its modern way of approaching one of the most common questions of recent college graduates: Will I be able to immediately get a job after college? I thought the first twenty minutes was strong because it dealt with that particular issue head-on. It may not be incredibly realistic but at least it tried to be relevant. However, the deeper we got into the picture, the movie suffered because of bad writing and the material easily succumbed to eyeroll-worthy typicalities. Ryden had to choose between her kind-of boyfriend (Zach Gilford) who was torn between law school and music and the exotic guy next door (Rodrigo Santoro) who seemed to have his life together, deal with her eccentric and sometimes funny family (Michael Keaton, Jane Lynch, Carol Burnett), and question where her future was heading. All those distractions certainly did not distract me from the fact that the writer ran out of creative and meaningful ideas to really tackle the issue of unemployment after college. I liked the movie best when it focused on Bledel’s struggle in trying to define her career and encountering her rival (Catherine Reitman) from time to time. It’s a classic case of having emotional intelligence (Ryden) versus lacking one (her rival); it was so frustrating to me because the elements of making a smart movie were there but the writers didn’t take full advantage of putting them together in an insightful manner. I felt insulted that the film threw clichés right at me. I couldn’t care less about the kinda-sorta boyfriend and the sexy guy next door because if I wanted to watch a movie about that, I’d probably go see a film based on a Nicholas Sparks novel. I couldn’t care less about the family either because their side stories didn’t add up to anything. The performances were mediocre at best but I didn’t mind much because I was more concerned about how it was going to approach the main issue. For a character who was supposed to be prepared to face the world (with enthusiasm to spare), the movie felt unprepared to discuss the real issues. The writer and director should’ve assumed that smart people would see this film. Maybe then they would’ve challenged themselves not only to challenge us but also inspire.