The Philadelphia Story (1940)
★★★★ / ★★★★
When the sassy socialite Tracy Lord (Katharine Hepburn) was about to marry a man (John Howard) who didn’t grow up from a family with money, Tracy’s ex-husband (Cary Grant) who still had feelings for her arrived prior to the big event to stir some trouble, along with him a reporter (James Stewart) and a photographer (Ruth Hussey). I instantly fell in love with “The Philadelphia Story” because of the effortless, magnetic chemistry between Hepburn, Grant and Stewart. The way they interacted with each other was so natural, I felt like I was listening to friends having a friendly banter and I couldn’t help but smile. I might not have gotten all the jokes because the comedy was a bit different back then but the bona fide feeling of the actors having a good time in their roles transcends time. I loved something about each of the leading actors. Hepburn played a plucky character with a distinct voice who wanted to show the world that she was strong but there were moments where she wore her weaknesses on her sleeve. Grant played a mysterious character who I found the most difficult to connect with but as the film went on, I felt his genuine love for his ex-wife and the pain and jealousy of seeing her with another man. As for Stewart’s character, my absolute favorite, he was charming, funny, and witty–such characteristics culminated when, ironically enough, he was drunk out of his mind. I was surprised with how much I was invested in the characters because some synopses I read described the picture as a screwball comedy. Perhaps I just had bad experiences with movies labeled as “screwball comedy” but I thought the movie was so much more than that. Not only did it have real moments of sensitivity and a little bit of romance but it did not settle for the obvious. I could see why Hepburn’s character was torn between her husband-to-be, her ex-husband, and the reporter because they all have positive and negative qualities about them. I also admired George Cukor, the director, for being efficient with his time. Not one moment did I feel bored or that the movie was going too slow because he kept the lead characters talking and he let the quirky supporting characters in and out at just about the right moments. I especially enjoyed Virginia Weidler as the nosy kid who wanted attention and the way she would act as if she was one of the adults. “The Philadelphia Story” is known as a classic comedy and I believe rightfully so.