Harry Potter and the Order of the Phoenix
Harry Potter and the Order of the Phoenix (2007)
★★★ / ★★★★
Directed by David Yates, “Harry Potter and the Order of the Phoenix” was essentially the calm before the storm. Despite a dead boy and Harry Potter’s (Daniel Radcliffe) claims that Voldermort (Ralph Fiennes) had returned, the Ministry of Magic and the Daily Prophet, the newspaper the ministry controlled, insisted that it was all a lie. Cornelius Fudge (Robert Hardy) had instructed Dolores Umbridge (Imelda Staunton) to act as Hogwarts’ Defense Against the Dark Arts professor, evil dressed in pink, who ignored the fine line between punishment and torture. Meanwhile, Dumbledore (Michael Gambon) made an effort to avoid Harry for certain reasons, but our protagonist could not help but take it personally. The fifth book in J.K. Rowling’s highly successful series was my favorite because it was all about the preparation for the upcoming war that the first four books built upon. It was so rich in detail about corruption of power, the role of the media, and finding one’s place in the world. The first mistake the filmmakers made was condensing the longest book to just about over two hours, making it the shortest film. The book had an excellent reason to be the longest. As a result, the movie felt very rushed, particularly the very important scene when Harry and his friends (Emma Watson, Rupert Grint, Bonnie Wright, Evanna Lynch, and Matthew Lewis) had an exciting, but ultimately tragic, showdown against the Death Eaters in the Department of Mysteries. It should have taken its time because it was at the point where the main character finally learned of his probable fate if he was to finally defeat Voldermort. I loved the book because it showed Harry as not only an emerging leader but, above all, a great teacher and a friend, too. I was not convinced that Yates paid enough attention to the importance of developing Harry as a strong person on his own but who was able to perform at his best when he had the full support of his friends. Character development is all about subtlety. Subtlety is not achieved with quickly edited scenes that do not add up to anything substantial. Lastly, I was greatly disappointed that the movie only had about two scenes of Snape (Alan Rickman) training Harry to control of his mind, the art of Occlumency, against Voldermort. It would have been fantastic if the script spent more time exploring their very complicated relationship. I found it strange that the film spent so little time with the subject of Occlumency because a big part of the fifth installment was Harry’s struggle against Voldermort taking over his mind and body. I was left with the impression that Yates did not understand what the book really about. I will not even get started with the lack of scenes involving the Ordinary Wizarding Level exams and the stresses the students had to deal with. Sadly, “Harry Potter and the Order of the Phoenix” is perhaps the weakest entry in the series when it should have been the best because the elements for greatness were provided by the original material.