Harry Potter and the Deathly Hallows: Part 1
Harry Potter and the Deathly Hallows: Part 1 (2010)
★★★★ / ★★★★
Dumbledore (Michael Gambon) is dead. Everybody is on the run including some Muggle families who are aware of the wizarding community. Harry Potter (Daniel Radcliffe) is in the most danger he’s ever faced because Voldermort (Ralph Fiennes), corporeal and has gathered the full support of the Death Eaters, is desperate to get his hands on The Boy Who Lived and kill him–the act he failed to accomplish seventeen years ago. We see not an inch of Hogwarts because it has been taken over by those who follow the Dark Lord. Ron (Rupert Grint) and Hermione (Emma Watson) make difficult sacrifices to try to protect their best friend. The trio go into hiding in various woods and landscapes to try to figure out the location of seven Horcruxes, Voldermort’s shattered soul, and how to destroy it. Failure to do so means losing the war and Voldermort gets to rule both the wizarding and Muggle worlds. We know Voldermort wants to perform his own holocaust because he and his followers believe that a less than a “pure-blood” heritage equates to inferiority and deserving of death.
Directed by David Yates, the first half of “Harry Potter and the Deathly Hallows” is full of dread and sadness but is arguably one of the more compelling additions to the series. Radcliffe, Watson and Grint, more adult than ever both in physicality and acting abilities, were successfully able to deliver the emotional range necessary to make not only the happenings in a magical community believable but also completely engrossing. Out of the three, I paid particular attention to Watson because there has been rumors that she might want to stop acting after the series. I think it would be unfortunate if she decides to give it up because I believe she has the potential to be as great as the likes of Natalie Portman and Jodie Foster. In this film, she was able to fluidly summon the softness and vulnerability (Portman’s forte) in the quieter scenes and unrelenting toughness and bravery (Foster’s forte) amidst the chaos of flying curses and deafening explosions. Yates had a difficult task ahead of him because of the extended “camping” scenes. To be perfectly honest, when I read J.K. Rowling’s novel of the same name, I do not remember much other than the frustration of reading through well over two hundred pages of the “camping” scenes. While I did realize its importance not just in terms of rising action but also a key ingredient in terms of further character development and almost procedural-like analysis of how to finally defeat Voldermort, I could not help but feel disappointment toward the book’s first half. I was afraid I was going to feel the same toward the film, especially when it was announced that it was going to be divided in two.
I was surprised that I was actually perfectly happy with the final product. Sitting through an hour of seeing the characters in the woods felt less like pulling teeth than reading through hundreds of pages about it. The power of omitting unnecessary details became integral because it was done in a smart way. It was balanced with pace that aimed to proactively move the story forward while giving us small rewards along the way that ranged from the expected (events in the novel such as Harry and Hermione’s showdown with the slithery Nagini) to the unexpected (events not in the novel such as the scene when Harry tried to cheer up Hermione during the darkest time in their friendship). Instead of feeling rushed like Yates’ “Harry Potter and the Order of the Phoenix,” this film, judging only from the book’s first half, felt complete. Admittedly, those who have not read the book might end up getting somewhat confused. Since I do not remember much from the novel, I can relate to an extent because I wanted to know more about R.A.B., Bathilda Bagshot, and a handful of individuals Voldermort wanted to question about the Deathly Hallows. For example, during the most critical time, the name R.A.B. first came about in “Harry Potter and the Half-Blood Prince” so, naturally, we would expect a relatively in-depth explanation about who that person was and why that person was key in the story arc. Instead, R.A.B. was mentioned in approximately two or three scenes and we never heard of it again.
Nevertheless, “Harry Potter and the Deathly Hallows” is a wonderful addition to the franchise. It successfully breaks out of the formula regarding the characters going to Hogwarts, having a plethora of laughs, Quidditch and adventures, and saving the day just when they were about to fail. The three best friends being in isolation was interesting because we got to see them perform what they learned in Hogwarts over the years. When certain artifacts and familiar faces appeared (tell me the goblin imprisoned in the Malfoy mansion was not the same goblin that Harry met in the Gringotts Wizarding Bank in “Harry Potter and the Sorcerer’s Stone”), I could not help but feel nostalgic because the journey is almost at an end. At the same time, I cannot help but feel happy and excited because I have a feeling that the best has yet to come.