★★★ / ★★★★
When Magdalena (Emily Rios) found out she was pregnant without actually having sex with her boyfriend (J.R. Cruz) before her quinceañera, she ran away from her family (Araceli Guzman-Rico, Jesus Castanos-Chima) because they believed she would not own up to her actions. Magdalena stayed with her kind uncle (Chalo Gonzalez) and cousin (Jesse Garcia), a gang member who happened to be gay and experimenting with the gay couple (Jason L. Wood, David W. Ross) next door. This independent film was no “Juno.” Quirkiness and snarky dialogue were absent but it was refreshing because the story was told without glossy pretension. It was not afraid to put its characters in difficult situations and let them deal with their problems without plot conveniences and typical Hollywood offerings about what one should do when one found out she was pregnant. I thought it was also refreshing that the character did not deem her life to be over when she found out she was pregnant at fourteen years old. It was nice to hear that she had plans for her future and I liked the way she stood up for herself when others criticized and laughed at her. I rooted for her because even though she was young, she was brave and she was not afraid to ask for help when she needed a bit of support. As for the subplot involving the homosexual cousin, I enjoyed it for the most part because Garcia could have played his character in an obvious way but he managed to avoid the usual traps about sexual experimentation. His character was a good foil for Magdalena. Even though the two were very different, they found commonality in being (essentially) exiled because their Latino culture have certain beliefs that directly challenged their modern lives. I thought the film was at its best when the two interacted because they found purpose and strength from each other. However, I have to admit that Garcia’s storyline sometimes outshined Rios’. The more the picture spent time on the gay cousin, focus and intensity was taken away from our lead protagonist. Lastly, I loved that the script sounded natural (so natural that sometimes I thought the characters were adlibbing). Having grown up in a very diverse neighborhood, the way the teens spoke and the topics they talked about were to true life. Ultimately, “Quinceañera,” written and directed by Richard Glatzer and Wash Westmoreland, told a story beyond a fourteen-year-old finding out she was pregnant. It was also about her support systems (and lack thereof), her responsibilities as a young woman, materialism, and traditions of a culture in an increasingly modern society. The film was astute in tackling the issues and it was even sharper in conveying the emotions that the characters would not necessarily outwardly express.