★★★ / ★★★★
Written by Mark Polish and Michael Polish, “Northfork” told the story of a community in Montana forced to be uprooted from their homes because the area that they lived in would soon be underwater. Six men (James Woods, Graham Beckel, Josh Barker, Peter Coyote, Jon Gries, Rick Overton) were assigned to persuade the residents to move out of their homes by any means necessary. On the other side of the spectrum, a dying child (Duel Farnes) was dropped off to an orpanage by his parents to be in the hands of a priest (Nick Nolte). In the child’s mind, the child tried to persuade ghosts (Daryl Hannah, Robin Sachs, Ben Foster, Anthony Edwards) that he was an angel and therefore they should take him with them when they leave Northfork. I love the fact that the film and was not really about anything; there was a plot but there was no story yet it was such a pleasure to watch. The way it played with the atmospheric images of the landscape to match the very eccentric characters somehow moved me. Even though there were times when the scenes with the six men did not completely work for me because some of the humor were not easily accessible, I couldn’t help but appreciate those scenes because of the creative visual puns. For me, the stronger scenes were the ones focused on the dying child. I was on the verge of tears when I thought about how his parents just left him to die because it was more convenient for them and how desperate he was leave the world of the living. There was a nice contrast between how alive he was in his mind and how weak he was in the “real” world which made the experience all the more touching. My favorite aspect of the film was the fact that it was very open to interpretation. I saw it as a story of loss and renewal. The residents may be losing the comfortable world they lived in but outside their comfort zones is a possibility of a better life. The boy may be losing his life but the result might offer a world where he need not be abandoned. “Northfork,” directed by Michael Polish, is a challenging picture. Less thoughtful audiences may be quick to judge and claim that nothing happened and therefore it wasn’t a worthwhile experience. Others may argue that it borderlines insularity. I may agree to an extent but I thought it worked because it captured the mindsets of residents living in a small town. I admired the ambitious philosophical questions it raised. I just wished it had more scenes when the camera would pull into a wide shot and showcase the breathtaking landscapes that were about to be erased.