The Losers (2010)
★ / ★★★★
“The Losers” was titled as such because five members of the CIA (Jeffrey Dean Morgan, Chris Evans, Idris Elba, Columbus Short, Óscar Jaenada) were framed by a voice on the radio named Max (Jason Patric) whose goal was to obtain a new generation of weapons in order to generate a worldwide war. The CIA operatives, after everyone believed they were dead, took refuge in Bolivia (and acted as, well, losers) until they met a woman (Zoe Saldana) with plenty of resources who wanted to hunt down and kill Max. “The Losers” is anything but boring because action sequences were abound. I liked its energy, its reckless abandon in terms of sticking with realism, and even its (very) lame jokes. What I despised with a passion, however, was the fact that it was never really clear on why Max wanted the five CIA agents dead. Since Max was supposedly smart and had a lot of money, why were the five men so special or so threatening? If he had kept the five in the dark in the first place, then he wouldn’t have a problem with achieving his goals. Furthermore, his ambition to obtain a weapon and eventual world domination felt like it was something out of an “Austin Powers” movie. Not for a second did I believe that he was menacing or remotely intelligent because he kept making ridiculous voices. I found his right-hand minion (Holt McCallany) a more believable villain. What could have made this movie more interesting was if it had given the five main characters more heart. Since it was based on a comic book series by Andy Diggle and Jock, it would have been nice if the movie had given us an extra dimension to explore instead of just the typical revenge story. Three of the five had families and the picture could have explored what it meant for them to survive. I wanted them to be torn between their loyalty to their team and their families. As for the romance between Morgan and Saldana, although they looked together and they had undeniable chemistry, I did not feel tension between them. Since Saldana’s character had a malleable sense of loyalty, I kept waiting for the movie to be one step ahead of me when it comes to delivering the potential twists. It was painfully obvious and eventually I just could not wait for it to end. Directed by Sylvain White, “The Losers” is like pop rocks candy. Once it enters the mouth, it’s explosive and we are able to feel strange and fascinating sensations. However, once the explosions die down, we all know that we’ve consumed nothing but empty calories.