★★★ / ★★★★
The constantly bullied Alan Parrish (Adam Hann-Byrd) was the son of an emotionally distant factory owner (Jonathan Hyde) who stumbled upon a magical board game called Jumanji. After a row with his father about being sent to boarding school, he rolled the dice and he was sucked into the game and lived in the jungle for 26 years. The new residents (Kirsten Dunst, Bradley Pierce) of the former Parrish mansion then found the game and started playing, all the while unaware of the dangerous situations of which they were about to face. With the help of Alan and his crush (now 26 years older played by Robin Williams and Bonnie Hunt), the four had to finish the game in order restore peace in their town. “Jumanji” was one of those films I watched so many times when I was a kid because I couldn’t get enough of its manic energy and wondrous sense of adventure. It had emotional resonance for me because the heart of the picture was the bond between the father and the son and at the time my dad was in America while my mom, brother and I were in the Philippines. Every time I saw the movie, I thought about my dad and how much I missed him. I identified with Dunst’s character–how imaginative she was and how she had to take care of her brother. I guess it helped that Pierce looked somewhat like my brother with his curly hair and wisecracks. One of the elements I found to be most effective in the film was its increasing amount of danger every time a character rolled the dice. The board game started off with giant African bats and only became more impressive from there. I found my eyes being fixated on the screen in suspense just in case something would suddenly pop out from nowhere. To balance the excitement and suspense, the picture also had a great sense of humor. I loved the small details like a rhinoceros being barely able to keep up during the stampede, Hyde also playing the villainous Van Pelt whose goal was to kill Alan (talk about father-son issues), all the looting that happened in stores when the town was in absolute chaos, and even the dated CGI (those creepy monkeys!) was all part of the fun. It didn’t take itself too seriously but it didn’t dumb down the material for its audiences so it became a solid popcorn entertainment. The film could have been stronger if it had more scenes between Alan when he was a kid and his father. There was a real pain and sadness in their strained relationship. The revelations that happened much later would have been more moving and bittersweet. For a movie being older than 15 years, “Jumanji,” based on the novel by Chris Van Allsburg and directed by Joe Johnston, is still fresh and better than most kid-friendly adventure movies out there today.