Punch-Drunk Love (2002)
★★★ / ★★★★
Adam Sandler should star in more movies like this one because it’s a nice break from his monotonous, painfully obvious and predictable slapstick comedies. “Punch-Drunk Love,” written and directed by Paul Thomas Anderson, was about a small business owner named Barry Egan (Sandler) who fell for his sister’s co-worker (Emily Watson) after one of his seven sisters (Mary Lynn Rakskub) set him up because the sister claimed he lacked initiative. Meanwhile, Barry was caught up in a scam, led by Philip Seymour Hoffman, after he called a phone-sex line. I loved the movie’s dry sense of humor and lack of sentimentality. The romance between Sandler and Watson was offbeat at best; it was difficult to see what they liked about one another because both were so strange. Even though I did not necessarily relate with Barry, I was fascinated with his behavior when things were calm and the way he responded to certain stimuli. He was unpredictable. When challenged, he would either go on scary fits of violent rage or would run away like a mouse. I wanted to know if he had bipolar disorder or whether he just did not have a healthy outlet to release the frustrations he had about his life, especially the annoyances from her overbearing sister. I found Barry’s sister absolutely hilarious but I think if she was my sister, I would just go crazy. Furthermore, I liked how Anderson portrayed what family gathering was really like. In more mainstream projects, members of the family would sit on a table and have hush-hush conversations as the camera focused on the key characters. In this film, everyone gossiped, insulted each other insidiously, laughed at the top of their lungs to the point where one could barely hear his or her own thoughts. The scene was plagued with a loud buzzing sound which caught my attention because it was realistic. I wish the picture had more scenes with the family because it was a nice change of pace from Barry’s isolated space which had a lot of gloom. “Punch-Drunk Love” showcases Sandler’s acting muscles and I was happy to see that he tried to do something different. I did not expect that he was able to go head-to-head with Hoffman because Hoffman had such a presence about him in all of his roles. I expect that a lot of Sandler’s fans would find this movie somewhat distasteful because its humor almost always stemmed from self-loathing and repressed emotional problems which–let’s admit–can be depressing at times. However, I think it’s a smart movie that is willing to look beyond the idiosyncracies of its characters and focus on their more compelling angles.