127 Hours (2010)
★★★★ / ★★★★
Based on the book “Between a Rock and a Hard Place” by Aron Ralston that detailed his ordeal in the breathtakingly gorgeous canyons of Utah, “127 Hours” was intriguing to say the least. James Franco played Aron, a man in tune with nature, who loved to explore and to push himself physically and mentally. After helping out two women (Kate Mara and Amber Tamblyn) navigate their way through the canyons, Aron slipped and a giant rock crushed his hand. Aron was stuck and it seemed as though no matter what he did, there was no way out of his predicament. I’ve always believed that great actors can give us a moment, even as short as a millisecond, and inspire us to write a thousand words about that specific moment in time. Franco achieved just that with the look of disbelief he had on his face after realizing that he was literally caught between a rock and a hard place. As grim as the situation was, there was a certain comedic effect to it that I find difficult to describe. Perhaps that’s a part of its brilliance. The movie was, without a doubt, challenging to sit through because it expected us to watch a man suffer for more than an hour, but Franco’s likability ultimately carried the film. Through his hallucinations, fantasies, and flashbacks, we had a chance to learn about Aron such as what and who was important to him. I wish there were more scenes with Treat Williams as Aron’s father and less Clémence Poésy as our protagonist’s ex-girlfriend. We learned that Aron was resourceful and smart. I was engaged because he tried the things I would have done if I was the one stuck in his predicament. For instance, creating a pulley to lift the rock to create a greater force instead of simply chipping through it. I had to laugh myself while watching the movie because I kept thinking, “Think Physics!” Furthermore, there were some potential solutions I didn’t think about and I was curious as to what extent it would work (considering I already knew what Aron had to do to extricate himself from the boulder). Director Danny Boyle made an excellent decision to give us little rewards before delivering the intense, flinch-worthy climax. For instance, the gasp-inducing burst of tension when Aron dropped his small knife. Was he physically capable of getting it back? Outside of Aron’s increasingly desperate struggle in the canyon, Boyle created an amalgamation of images and sounds to serve as a contrast to Aron’s experience. Even before Aron got stuck, there was already excitement in the air so I was pleasantly surprised. “127 Hours” could have been fat with clichés or, worse, turned into an unintentional horror movie. Instead, it remained focused in telling a story about the human spirit.