Hey Hey It’s Esther Blueburger
Hey Hey It’s Esther Blueburger (2008)
★★ / ★★★★
The opening scene established Esther (Danielle Catanzariti) to be an observer. While she ate lunch inside a classroom because she didn’t have any friends, she noted that everything had order and everyone belonged in a circle. Except for her. Esther had her own way of dealing with loneliness such as befriending a baby duck. At home, we found out she had a twin brother (Christian Byers) and their lives were always under a microscope as their parents (Essie Davis, Russell Dykstra) observed them from behind the lens. “Hey Hey It’s Esther Blueburger,” written and directed by Cathy Randall, was a different coming-of-age story because it was about children who acted out since they received too much attention. Esther meeting Sunni (Keisha Castle-Hughes), a girl from a public school, was a catalyst for Esther’s evolution. As a whole, I enjoyed this movie because it had a bona fide sense of humor and the character, despite turning somewhat into a mean girl, was easy to root for because, essentially, she was an ugly duckling. However, this film was its own worst enemy. In its attempt to impress its audiences, it felt the need to deliver too much of everything. It got to the point where the quirkiness became a distraction and it did not lead to any place where the lead character could discover something new about herself. Instead of the superfluous awkwardness, I wanted to know about the dynamic and the fragility of Esther and Sunni’s friendship, Esther in a public school versus Esther in a private school, and the family seeing a shrink in their attempt to mend what they thought was broken about them. I also thought there was something poignant between Esther and Sunni’s mom (Toni Collette). She was the “cool mom” who rode a motorcycle, let them stay up late, used her body as an instrument and laughed at Esther’s jokes–the complete opposite of Esther’s biological mother. I felt sadness in Esther’s eyes as she questioned herself why she wasn’t lucky enough to get Sunni’s mom. Lastly, the ending did not quite work for me because I felt that it was done mainly to shock us. I didn’t think it was necessary at all; it almost felt exploitative. However, I was glad that Esther did not revert to being a loser during the final scenes. Her evolution, with all the good and the bad, remained intact and I appreciated that honesty. In a span of an hour and forty-five minutes, we watched her grow up even just a little bit. Sometimes small steps are worth it.