The King’s Speech (2010)
★★★★ / ★★★★
Prince Albert, Duke of York (Colin Firth) had a speech problem so he and his wife (Helena Bonham Carter) tried to find a speech therapist who could “cure” the future King George VI’s condition. After seeing many medical practitioners to no avail (the doctors actually encouraged the prince to smoke cigarettes), Prince Albert’s wife hired Lionel Logue (Geoffrey Rush), a man with, at the time, unconventional ways of dealing with stuttering. As Prince Albert and Lionel spent more time together, they were successful at taking small steps forward. But each step meant Prince Albert was that much closer to becoming king, due to his father’s (Michael Gambon) death and older brother’s (Guy Pearce) abdication from the throne, and leading his people in World War II. I don’t know much about British history, but I was very engaged with what was happening. Most importantly, it didn’t feel like a history lesson. The film was a classic character study about a man who was capable of being great but a speech impediment held him back greatly. There was a positive feedback between his lack of confidence and his fear of being judged by his people. We may or may not stutter but most of us share an anxiety when it comes to public speaking. I didn’t expect the picture to have such a great sense of humor. When the characters talked about sex, they were packaged in little suggestions through wordplay and euphemisms. The actors were sublime in delivering the humor without actually winking at the camera. The joke was in the words followed by their body movements and the awkward looks they sent each other’s way. Stuttering and other speech disorders are serious issues but the material dealt with it in a fun but always respectful way. Lionel’s view that a speech disorder was not necessarily always directly related with the machanics of the mouth and facial muscles but might have sprouted from a deep psychological trauma was interesting. Although reluctant at first, Prince Albert eventually opened up about a heartbreaking childhood experience. I looked forward to their sessions because there was a division of class and that division was challenged by the slowly growing trust between the doctor and his patient. That trust between two men coming from different worlds was crucial because the future king would eventually have to make an encouraging speech to his people, a symbol that he was qualified to lead their kingdom, and announce that they were at war with Adolf Hitler. Without Rush and Firth’s strong but subtle acting, aided by Tom Hooper’s assured direction, the material could easily have been heavy-handed. Or worse, it could have been about the speech disorder itself instead of the man who happened to have it. “The King’s Speech” reminds most of us how much we take simple things for granted like being able to speak without having to worry about whether or not our mouths will form the right words.