Mitt liv som hund
Mitt liv som hund (1985)
★★★★ / ★★★★
Since their father was overseas, Ingemar (Anton Glanzelius) and his older brother (Manfred Serner) were separated to live with their relatives for the summer so that their sick mother (Anki Lidén) could rest. Ingemar’s dog, who he claimed to love as much as his mother, was sent to the kennel during his time away from home. It was easy to like Ingemar because he was unlike most children. Whenever things turned for the worse, Ingemar would often compare himself to others who were worse off than him. For instance, he often mentioned Laika, the dog who was sent to outer space and never had the chance to return. “Mitt liv som hund,” or “My Life as a Dog,” had some formulaic coming-of-age elements but the execution was pulled off in an imaginative and often touching way. We followed the story through Ingemar’s eyes and we felt the abandonment he felt when he was passed from one home after another. Even though he was a kid, he was perceptive enough to realize that he was essentially like his dog and what the dog must have felt when Ingemar had no choice but to leave it at the kennel. I found myself on the verge of tears at times because he knew that he was slowly losing his mother so he tried so hard to hold onto something easier but something that he loved just as equally (or so he claimed): his pet. I found the flashback scenes very touching because we had tiny peeks to a time when Ingemar was at his happiest. His brother certainly didn’t make things easier because he also had his own way in dealing with negative emotions. I liked the way Lasse Hallström, the director, highlighted the kindness of eccentric people in a tight-knit community to distract the kid from breaking down. Ingemar made a special relationship with a girl named Saga (Melinda Kinnaman) who dressed and acted like a boy. She liked him but he didn’t like her back so there certainly was tension there. They were able to work through their many frustrations by boxing it out in the ring. One of my favorite scenes was when another girl took Ingemar to her room and Saga came busting in like her usual tomboy self and fought for what she felt like belonged to her. I loved the way that particular scene was framed and I felt a certain energy to it that reminded me of those classic romantic love triangle pictures in the golden days of Hollywood. Instead of using the quirkiness just for the sake of being funny or underlining the weirdness of small communities, Hallström successfully focused on the heart of the film. “Mitt liv som hund” was based on Reidar Jönsson’s autobiographical novel and it felt every bit as personal. Every crucial element in the story felt connected and it had a silent power that I will remember for a long time.
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