Expendables, The (2010)
★★ / ★★★★
A group of mercenaries (Sylvester Stallone, Jason Statham, Jet Li, Randy Couture, Terry Crews) was hired by an enigmatic man (Bruce Willis) to go to an island in South America in hopes of overthrowing a dictator (David Zayas) being controlled by a former CIA agent (Eric Roberts) and his beefy minion (Steve Austin). The film was thin on plot and very heavy on the action which means it’s perfect for men just wanting to sit back, have some laughs, and a couple of beers. I think it succeeded as a brainless action film but it failed in terms of strongly establishing a franchise that could potentially continue and thrive. The script developed certain characters like Lee Christmas (Statham) being a softie at heart, Ying Yang (Li) wanting to have a family someday, and Tool (Mickey Rourke) having a tortured past. However, the rest of the group didn’t get enough attention. For instance, I thought it was very awkward when Crews suddenly appeared (with the big guns and hilarious overkill) near the end when I didn’t see him at all since the beginning of the movie. The picture would have benefited as a whole if it had taken a little bit of time to explore each one even though the exploration may not have been very deep. Forgetting about a character is the worst. Furthermore, not for one second did I believe that the villains’ plans could succeed at the end of the day because they were overpowered by the good guys in numbers and weapons. Was it too much to ask for more (former) action stars to have been hired as bad guys? Although there was genuine tension in the action scenes and I found my heart pounding like crazy because of the adrenaline during the impressive car chase and plane acrobatics, I didn’t feel a thing when all the action died down. When the characters conversed, the lines were laughable; their words were obviously directed toward each other but I felt like they were having completely different conversations altogether. They were like young children still developing how it’s like to really communicate with someone else in a meaningful way. “The Expendables” proved that nostalgia could only take a movie to a certain extent. Without surprising twists and compelling moments of silence (I did love the one scene when the camera was fixated on Rourke’s face as he told his painful story) in between action sequences, the movie stayed limp even though there was an overdose of testosterone. Those impressed with the trailer will end up enjoying the movie one way or another. I did like it but I thought it could have been a lot better if it had filled in some gaps and ironed out its inconsistencies.