★★ / ★★★★
Future supervillain Megamind (voiced by Will Ferrell) and future superhero Metro Man (Brad Pitt) were sent to Earth by their parents right before their home planet was engulfed by a black hole. The former grew up in a prison and the inmates taught him right from wrong–rather, wrong from right. His only friend was an adorable fish, equipped with wit and razor-sharp teeth, named Minion (David Cross). Grade school was horrible for him. He was often picked last for gym and his many attempts to impress his classmates always ended up horribly wrong. Over the years, he became bitter and developed a penchant for kidnapping Roxanne Ritchie (Tina Fey), a reporter, who had a crush on the superhero. But when Megamind, with a bit of blind luck, finally defeated Metro Man, he found his villainous role obsolete. Megamind’s big brain came up with a brilliant plan: He would construct a superhero (Jonah Hill). Would this little experiment backfire like all the others? Absolutely. “Megamind,” written by Alan J. Schoolcraft and Brent Simons, was a kaleidoscope of colors aimed for the younger kids and double entendres for the adults. Its manic energy successfully tickled every sense as it referenced other superhero films and comic books. However, it would have been far stronger if it didn’t try so hard to be funny like the characters breaking into a dance for no reason. If might have sounded cute on paper but painfully awkward to watch and sit through. What I enjoyed most about “Megamind” was although it spoofed other superhero franchises, it had an identity on its own. The scenes were not simply driven by references. There was a defined story, interesting and amusing characters, and a specific perspective in which it remained loyal throughout so the allusions were secondary. It aslo had real moments of creativity. For instance, after Metro Man’s death, Megamind began to rely on his invention which had the ability to make him transform into any being. Due to certain circumstances, he chose to be Bernard (Ben Stiller), a geeky guy who worked in the newfangled Metro Man Museum. As Bernard, Megamind started to fall in love with Roxanne Ritchie. His identity crisis from a lack of a superhero to fight on a daily basis also worked on another level. He started to have a literal identity crisis as he switched from Megamind to Bernard which generated some of the best scenes when both had to appear in front of the girl. Our protagonist rationalized that the villain never end up with the girl so he had to be something else, preferably not blue. There was sadness in his situation and we rooted for him to find happiness. Directed by Tom McGrath, “Megamind” was a good animated film for the majority of the time. If it managed to dial down the cheese and pumped up the edge, it could have been special.