★★★★ / ★★★★
The film started off with General George Patton Jr. (George C. Scott) delivering a speech about war and the importance of winning being embedded in the American culture with the gigantic United States flag on the background. It was probably one of the most patriotic scenes I’ve seen portrayed on screen, but at the same time I felt that the picture was making fun of itself. The scene aimed to establish our main character: He was intimidating because he was obsessed with discipline and excellence. His reputation as being one of the feared generals, especially by the Nazis, was well-earned because he was an uncompromising man. Fear sometimes generates respect. The film was beautifully shot. In war pictures, I find it uncommon that I notice the environment because, to me, at least with the more recent war movies I’ve seen, the environ is simply a template where we get to see bombs exploding like there’s no tomorrow. But in “Patton,” I found the second scene outstanding because it featured a peaceful landscape in the Arabian desert where American soldiers’ bodies laid lifeless as Arabian people stole the soldiers’ clothes and other belongings. Again, there was the theme of duality. On one hand, it was sad to see those dead and rotting soliders. On the other hand, we could look at the Arabian people and see that looting was their chance for survival because they obviously didn’t have much. The film is different than other war movies. With “Patton,” we don’t follow any soldier in the battlefield or realize any of his personal struggles. It simply followed the general during his glory days as he tried to compete against British Field Marshal Sir Bernard Law Montgomery (Michael Bates), attempted to outsmart German Field Marshal Erwin Rommel (Karl Michael Vogler), his probation because he slapped a soldier around for complaining about being afraid of the sounds of war, up until he regained his footing in the military. Throughout his journey, we learned so much about him such as his passion for poetry and penchant for history. The latter was his strength but at the same time it was his weakness. His enemies who didn’t know much about history often lost but those who were knowledgeable thought Patton was predictable and almost pretentious. Naturally, his strongest enemies were the ones who were just as smart as him. No one can argue against Patton’s biggest weakness being his mouth. He had no filter; he didn’t think he needed one so he was prone to saying the most inappropriate things during the most inopportune time. “Patton,” directed by Franklin J. Schaffner and partly written by Francis Ford Coppola, won seven Oscars (including Best Picture and Best Actor) not only because of its epic scale but also because of its small details that made this biopic all the more personal.