Children of the Corn (1984)
★ / ★★★★
After church, Job (Robby Kiger) and his father went to a diner for breakfast. It seemed like a regular Sunday in Gatlin, Nebraska but something sinister happened. The kids started to give each other strange looks and the next thing we knew, they started killing the adults around them. The only kids who did not seem affected were Job and his sister (Anne Marie McEvoy) who had a gift of foretelling events through drawing. When a couple (Linda Hamilton, Peter Horton) accidentally ran over a boy, they eventually decided to stop by Gatlin to report the incident. The picture started off strongly. The thought of kids murdering people without reason, including their parents, gave me the creeps. I was curious about what triggered the strange events and the endgame of those involved. Unfortunately, the film failed to give any answer. Instead, it spent half of its time showing us the couple driving on a seemingly interminable freeway. While their interactions were somewhat amusing and the establishment of their characters necessary, there wasn’t enough edge to hold my interest. I saw one distraction after another which made me think about the weakness of both the writing and the execution. I wanted to know more about the psychic sister. What made her and Job unsusceptible to the urge to commit murder? Instead, the picture focused on the many speeches of Isaac (John Franklin) and almost caveman-like Malachai (Courtney Gains). It was obvious that the material wanted to comment on taking religion too seriously along with their respective scriptures word-for-word, but focusing on that one aspect diminished the creativity and imagination that should have been applied to the overall story. It would have been more haunting if the monster or devil known as “He Who Walks Behind the Rows” was not shown but merely implied. It wasn’t that I was unconvinced my the special and visual effects (I’m always more concerned about the concept), but the idea that some force could drive children to madness was enough. Sometimes simplicity is key. It just needed to elaborate on its big ideas and consistently raise the bar instead of recycling horror movie clichés. Based on Stephen King’s short story and directed by Fritz Kiersch, “Children of the Corn” was a huge disappointment because it had such a promising first scene. When the couple walked around a seemingly abandoned small town, I felt like I was there. It needed more creepy moments like that instead of its dull fixation on human sacrifice.