Mumsy, Nanny, Sonny and Girly
Mumsy, Nanny, Sonny and Girly (1970)
★ / ★★★★
A well-to-do British family without a father figure immersed themselves in childhood games. They picked men off the streets–men who would not be missed such as hippies and homeless folks–and if the men tried to escape the mansion or expressed that they no longer wanted to play games, they were killed in a ritualistic manner. Mumsy (Ursula Howells), Nanny (Pat Heywood), Sonny (Howard Trevor), and Girly (Vanessa Howard) were the demented predators and their most recent prey was named New Friend (Michael Bryant) who took an intense liking for Girly even though she was at least twenty years younger than him. I thought the premise of the picture was fascinating but I’m afraid the screenplay was stuck in one concept and it grew more stale as it went on. I understood the psychoanalytical message. The film was all about commenting on the suffocation of constantly having the need to remain loyal with traditions. Since the father was not there to lead the family, the movie made an argument that the family would most likely rot from the inside. Since the father was believed to have a key role in the maturity of children, the teenagers became fixated in acting like six-year-olds. Since there was no father to take care of the mother, the mother and the nanny developed an unusually close bond. They even slept in the same room. Anyone with a basic understanding of psychology would be able to pinpoint such obvious messages, so I was hoping that the director, Freddie Francis, allowed the picture to evolve. While the acting was tolerable most of the time, at times I felt like the actors were rehearsing a play. Since the subject was already so bold, the actors’ decision to portray their roles as caricatures was like hammering the audiences over the head with mallet. Its cartoonish tone was very distracting so the horror did not work. As a dark comedy, it was arguably effective but I was not convinced that the filmmakers wanted it to be more amusing than horrific. In a nutshell, its arguable success was accidental. It should have paid more attention in generating tension because there were far too few rewards in between the sinister kills. At the time of its release, the film’s subject matter was very controversial. While I do enjoy movies that are different, the anti-formula to the formula has to have intelligence and an energy that does not leave me so frustrated after the experience. Unfortunately, “Mumsy, Nanny, Sonny and Girly” wasted its potential to be something great.