The Hills Have Eyes (1977)
★★★ / ★★★★
A family (led by Russ Grieve and Virginia Vincent, the patriarch and matriarch) got into an accident in the desert while on their way to California. It happened during the most unfortunate time because the area in which their vehicle broke down was a nuclear testing site and was occupied with deformed cannibals. Written and directed by Wes Craven, “The Hills Have Eyes” was a horror film with a simple premise but it expertly embodied an animalistic tone and gathered momentum until the final shot. For a slasher flick, I found it strange because I was able to extract a lot of meaning from it. I enjoyed the way Craven framed regular well-meaning folks and forced them to eventually become like the monsters that terrorized them in order to survive. While it was very violent, especially the events that transpired in the trailer which consisted of murder and rape, it was far from gratuitous. I felt Craven holding back in terms of showing certain images that might glorify the terrible things that there happening. It was successful at allowing us to feel anger so that we could root for the remaining members of the family to not just seek revenge but also obtain something that meant a lot to them. The heart of the picture was arguably the siblings Brenda (Susan Lanier) and Bobby (Robert Houston). Brenda was unhappy about her father’s decision to take an unknown route while Bobby almost immediately sensed that there was something wrong about the environment they had no choice but to occupy. As the title’s anthropomorphic title suggested, the environment was like a creature that lived, capable of defending itself when threatened. However, things such as rattlesnakes and the possibility of dehydration and starvation were the last elements the characters had to worry about. The animalism and savagery became a trend. One angle was when the characters eventually got over their fear and sadness and decided to fight back even if it meant losing their lives. Another was using the family pet, a dog that was normally friendly unless threatened, as a figure readily able to attack and kill. Perhaps Craven hoped to suggest that the deformed cannibals living in an isolated world were really no different than regular people that successfully integrated in society. Lastly, I thought its abrupt ending was a smart decision. There was no explanation about how the characters would end up. It did not need to because the situation in which they were thrusted upon was beyond reasoning. Its main goal was to show whether or not the cannibals would get their comeuppance. “The Hills Have Eyes” did have its flaws, such as characters who whined too much for no good reason, but the quality of horror was consistent and it ended on a very high note.