★ / ★★★★
Couple Jarrod (Eric Balfour) and Elaine (Scottie Thompson) visited a rich friend (Donald Faison) in Los Angeles. After a night of partying, alien spacecrafts shrouded in bright blue light descended in the city to collect humans. Directed by Colin Strause and Greg Strause, “Skyline” was a cheap knock-off of Matt Reeves’ creative and sometimes menacing “Cloverfield.” But in this case, the characters used a telescope to observe the aliens from a distance and decide whether to stay in the hotel or take their chances in the streets. Despite the great special and visual effects, the film was ultimately an unrewarding experience because there was not a coherent story. Only toward the end did it (somewhat) answer why the aliens abducted humans in hundreds or even thousands. Even then the explanation did not make much sense which was just as quickly followed by another ridiculous and unnecessary twist. The diversion convinced me that the material did not have confidence in its justification involving why the aliens that looked like a hybrid between reptiles and robots needed human beings. Another cinema sin it committed was a lot of the interesting shots were found in the trailer. There was a good reason why the trailer did not show much of the characters because the people who we were supposed to root for did not reflect who would actually survive a real alien invasion. For example, after the first attack which abducted one of their friends, the protagonists decided that it would be smart to go on the roof to see what was going on and take some pictures. The only weapon they had was a pistol and the character who wielded it was not even a good shot. Joshua Cordes and Liam O’Donnell, the writers, were to blame for the protagonists’ lack of intelligence and heart. Elaine being pregnant was not enough for me to care if all she ever did was whine and wait for her boyfriend to rescue her. Lastly, the writers should have allowed the aliens to be much more vulnerable. They were pretty much indestructible. When one was ran over by a truck, it came back to life. When the main ship was attacked, it was capable of regeneration. Without giving the characters a fighting chance to win the war, why should we continue watching? Just when I thought it could only get better because it was so bad, it got worse. Aside from many unintentional laughs, I can’t quite find a quality that I genuinely liked about it. I’m a fan of Balfour because he makes strange choices in his TV appearances and likes to take chances in films like Clément Virgo’s “Lie With Me.” He makes the material work for him. I would like to see more of him but he’s so much better than what this picture had to offer.