Me and Orson Welles (2008)
★★ / ★★★★
Richard Samuels (Zac Efron) was magnetized toward the arts so when the opportunity of working with Orson Welles’ (Christian McKay) production of “Julius Caesar” had presented itself, Richard just had to be in the play despite lacking theater experience. Through a week of rigorous rehearsals, Richard fell for a secretary named Sonja Jones (Claire Danes) who everyone admired but earned the nickname of being an Ice Queen. Little did Richard know that he had to compete with Welles for Sonja’s affections. I understand that this movie must have been a big deal for Efron because it gave him the chance to finally be considered as a serious actor. In a way, the actor had parallels with his character because Richard wanted to be taken seriously despite his age and lack of connection in the entertainment business. Unfortunately, the movie barely kept my attention. I could not connect at all with Richard because there did not come a point where he had a clear vision between wanting to have the girl or wanting to achieve his dreams. Obviously, he could not have both. To an extent, his lack of understanding about what was more important was understandable because he was young, but I think the writing should have presented a key moment when the audiences would realize that Richard was worth rooting for even though he did not know exactly what he wanted. There were two characters who overshadowed the protagonist. One was Danes as an elegant woman who knew what she wanted and would do anything to go where she wanted to go. Unlike the main character, she had experience and was wise despite the fact that I did not always agree with her actions. The other character that fascinated me was Gretta Adler (Zoe Kazan), an aspiring young writer who liked to visit museums for inspiration and when she felt down. Kazan was absolutely charming and, more importantly, the zeal she embedded in her character did not feel forced. Generally, Efron was satisfactory as Richard, albeit too safe, but his lack of intensity was magnified when he had to interact with Danes and Kazan. Furthermore, I do have to say that his optimistic one-liners made me cringe. “Me and Orson Welles” was surprisingly weak especially since Richard Linklater was the director. In most of his films, he has such a great ear for dialogue and sharp vision in terms of capturing actors in their most natural state to the point where it almost looks effortless without sacrificing the characters’ multi-dimensional personalities. “Me and Orson Welles” was very uneven, especially in its first half, and ultimately disappointing.