Funny Farm (1988)
★★ / ★★★★
Happy couple Andy (Chevy Chase) and Elizabeth (Madolyn Smith Osborne) decided to move out of New York City and into the country so Andy could work on his novel. They anticipated to live an easier life with far less worries while in the country. But from the minute the Farmers left the city, something went wrong in every turn starting with the movers getting lost overnight. Eventually, the unfortunate events and eccentric small town ceased to become amusing as various elements challenged Andy and Elizabeth’s marriage. I am the most difficult person to please when it comes to slapstick comedy so I was surprised that I actually enjoyed this film. The movie offered a variety of situations in which something funny happened and not simply relying on, for example, someone carrying a big cake tripping over a cord and the cake goes flying onto someone’s face. I liked its humor most when it came at the most unexpected time. For instance, a typical gardening session led someone to find a coffin buried in the yard, a modern-looking door from the outside turning out to be somewhat of an old-fashioned door when touched, and the ongoing joke about pay phones inside the home. But my favorite scene was when Andy, beaming with excitement and happiness, allowed his wife to read a few chapters from the book he had been working on for quite some time. Her reactions, from being forced to read during their anniversary to her struggle in expressing what she really thought of the novel in progress, were priceless. I couldn’t help but laugh out loud because most of us could relate to her situation. Do we tell the absolute truth or do we sugarcoat certain facts (which essentially is tantamount to lying)? However, I would have given the movie a recommendation if the last twenty or thirty minutes did not become so depressing. What kept the script afloat for the majority of its running time was the couple’s natural chemistry and ability to forgive each other for just about anything. So when the story took a serious turn and the friction between the couple was magnified, I stopped having fun and the subsequent attempts at humor felt forced. The pacing took a drastic halt and it did not feel like the same movie I was watching before. “Funny Farm,” directed by George Roy Hill, had great energy behind its creative ideas. When the jokes worked, they worked well, and when they did not, it was almost forgivable. Aside from its misguided last third, the rest might have been formulaic but, as a whole, it was still delightful to watch.