Square, The (2008)
★★ / ★★★★
Ray (David Roberts) was having an affair with a much younger woman named Carla (Claire van der Boom). One day, Carla found a bag full of cash in the attic which she knew belonged to her husband (Anthony Hayes) and his crooked friends. Ray and Carla planned to get the money, burn the house to the ground, and run away together with the help of a hot-tempered third party (Joel Edgerton). Naturally, the plan didn’t go the way the cheating couple expected. “The Square” took a lot of risks with its tone and various twists in the plot. It reminded me of the Ethan and Joel Coens’ masterful “Blood Simple.” but far less realized as a whole because it stumbled on its way to the finish line. Rising action was abound. Ray became increasingly desperate as the body count started to rise around him. It didn’t help that someone kept sending him cryptic letters involving blackmail. Unable to confide in anyone, he needed an outlet to his frustrations. It was like watching someone playing Tetris. It’s a very practical game (as practical a simple stealing can be) but one mistake can lead to another especially when panic sets in. Carla was frustrated as well because Ray was reluctant to leave his increasingly suspecting wife. She also had to mollify her guilt due to an accidental murder in which she was directly related. But a great rising action is only as great as its payoff. Toward the end, I began to feel confused with the way Nash Edgerton, the director, tried to steer the characters away from their respective predicaments. The strand about the blackmailer was immediately dismissed when it should have been tackled head-on because the picture spent a solid amount of time luring our curiosity to the person sending the letters. In a way, I felt slightly cheated. I felt as though the filmmakers didn’t know how to sufficiently end their story so the project eventually imploded. The characters failed to think critically and act practically. There was not one person I wanted to see succeed. I wasn’t necessarily looking for an archetypal good guy but I wish I didn’t feel so detached during the final few scenes and apathetic when it ended. “The Square” was a modern noir with a somber tone that started off with a roar but ended with a barely audible whimper. It needed to work on its themes regarding tragedy, guilt, and betrayal. It dealt with such themes separately but the more important exploration was how the three were interconnected and the pressures our characters went through that could explain why they played the final hands they’ve been given the way they did.