Film

Hall Pass


Hall Pass (2011)
★ / ★★★★

Rick (Owen Wilson) and Fred (Jason Sudeikis), best friends, were married but couldn’t help checking out other women in the streets even if they were right next to their wives. So Maggie (Jenna Fischer) and Grace (Christina Applegate), Rick and Fred’s wives, respectively, decided to give their husbands a hall pass–a week off from marriage that allowed them to do whatever they wanted, even if it meant sleeping with other women. Maggie and Grace believed that their decision would ultimately strengthen their marriages. Directed by Bobby Farrelly and Peter Farrelly, “Hall Pass” was supposed to be a comedy but it wasn’t funny because it wasn’t brave enough to really look at the dark corners of human psychology and behavior and critique its characters in an insightful way. It took the easy way out instead of taking necessary risks. Most of the scenes not only ran for too long, they lacked a punchline. For instance, the conversation between Rick and the babysitter while the latter was being dropped off was a lazy attempt at looking at a young woman hitting on a married man. It didn’t work because it lacked the art of tease; both had transparent motivations driven by simple reward and punishment. The script was poorly written. Rick and Fred had sex on the brain and I was disappointed in the fact that their characters were rarely allowed to bathe in double entendres. The duo wanted to have affairs but the material wouldn’t allow them to be dirty and conniving. It settled on featuring kids with smart mouths. It had no reason to hold back other than the fear of offending the majority of its audiences. It wanted to be commercially successful so it sacrificed edge. But edge is exactly what a movie like this needs. Since it was afraid to take risks, the material was painfully one-note. In its desperation to get laughs, it even had a scene with a black man with a big penis and a white man with a small penis. Why was that even necessary? Seeing a small penis is not funny. However, seeing a small penis with an accompanying joke or the perfect alignment of circumstances can be hilarious. And what was a person like Coakley (Richard Jenkins) even doing in this film? A man who could magically see through objects felt like crumbs on the bottom of a barrel. Why not focus more on the men’s emotions when their wives gave them the so-called hall pass? All the men in the movie were portrayed like sex-hungry dogs. It was insulting. “Hall Pass” was a bland meal when it could have been a tasty, ravenous feast. A comedy, like the best foods, is supposed to have different (and subtle) flavors. If something tastes bland, don’t you just want to stop eating or add something to the food in order to make it more bearable? That was exactly what I wanted to do with “Hall Pass.”

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